The narrative strategy of this novel reminds me Cela Lazarillo: the epistolary narrative of their lives unhappy. But I think the Lazarillo is more plausible. The Pascal language, although it includes popular features, not home a lot with training, or rather the lack of training that is supposed to character and dialogue, including in his diary, in my opinion, makes you forget the author and the reader that it is an epistolary story ...
course, Lázaro de Tormes is a rogue, and Pascual Duarte is a criminal. So Pascual Duarte has more affinities with the protagonist of Crime and Punishment . Pascual But as you can not redeem Raskolnikov, though, curiously, both find love a new love in the case of Pascual, the end of their lives. Still, Pascual brutally kill her mother, which will be carried forward to garrote.
There are a couple of master pages, which are gloss of video meliora proboque deteriorates sequor Ovid, ie the inner tension experienced by the man between good and evil, the clarity is good to do and the weakness of the will to carry it out.
I'll take the Lazarillo. I prefer also Crime and Punishment. Humans can overcome the necessity of fate. It is not just a being for death. Not only fomes peccati (inclination to sin).
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