Such is the scale that social networks have reached in our day to day, hand in hand with the Aaron Sorkin and directed by David Fincher's film does not reach the creation of one of the most important social networks, Facebook.
Each era has its visionaries left in the wake of his genius, a world changed, but rarely this happens without provoking a battle over what exactly happened and who was present at the time of creation. In the network director David Fincher and screenwriter Aaron Sorkin explores the time the invention of Facebook, the most revolutionary social phenomenon of the century, through the conflicting perspectives of young super-intelligent claiming to have been present in its infancy. The result is a drama full of creation and destruction, a drama that intentionally avoids showing a single point of view. On the contrary, is competing narratives, showing the truths found and ever-changing social relationships that define our era.
The film is based on multiple sources and moves from the halls of Harvard to the cubicles of Palo Alto to capture the excitement visceral of the heady beginnings of a phenomenon that would change the current culture and relate how separated and then joined a group of young revolutionaries. In the eye of the storm are Mark Zuckerberg (Jesse Eisenberg), the brilliant Harvard student who designed a website that seems to have redefined our social fabric overnight, Eduardo Saverin (ANDREW GARFIELD) who was a close friend Zuckerberg, who provided the initial capital for the young company, Sean Parker (JUSTIN TIMBERLAKE), the founder of Napster that brought Facebook to venture capital investors in Silicon Valley, and the twins Winklevoss (Armie Hammer and JOSH PENCE) co Harvard claimed that Zuckerberg stole their idea and then he claimed ownership.
Each has its own story, his own version of the history of Facebook, but the whole is much more than the sum of its parts because it is a multilayered portrait of a successful twenty-first century, both for his youthful fantasy and for its finite realities.
"The network" has become one of the films of 2010. David Fincher shows how the creators of Facebook are betrayed each other because of his ambition. The controversy is served and leaves well these young unemployed who became billionaires at once. Of course, the approach is round and not even a scene. The address is Fincher's best in recent years, with an amazing and meticulous screenplay by Aaron Sorkin, who manages to place the film in a neutral point of problem letting the viewer draw their own conclusions. An intelligent film. In the best of the year.
For positive reviews about the movie we can say that in a way intended to show today's society and as the facebook phenomenon has been so successful and has been adapted with great reputation in our lives as it revolutionized by technological development. At the same time are not so positive reviews from an interesting perspective as seen through the eyes of an employer the circumstances that lead young people to create such a network is familiar in their daily lives and are not worthy a film adaptation, except for taking advantage of the fact that Facebook is already a global phenomenon. I guess there is the grace of a society of primarily self and self-motivation for everything depends on the eyes that look.
What do you think of Facebook, you can make part of this network and has already published the book and movie creation? Stop there, each draw their own conclusion.
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